{"id":1015755,"date":"2026-11-09T13:00:32","date_gmt":"2026-11-09T13:00:32","guid":{"rendered":"https:\/\/supeinnihonto.com\/singe-avec-kaki-un-netsuke-en-bois-de-la-periode-edo\/"},"modified":"2026-11-11T14:08:39","modified_gmt":"2026-11-11T14:08:39","slug":"singe-avec-kaki-un-netsuke-en-bois-de-la-periode-edo","status":"publish","type":"post","link":"https:\/\/supeinnihonto.com\/fr\/singe-avec-kaki-un-netsuke-en-bois-de-la-periode-edo\/","title":{"rendered":"Singe avec kaki : un netsuke en bois de la p\u00e9riode Edo"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Certains netsuke attirent imm\u00e9diatement le regard par leur complexit\u00e9.<\/p>\n\n<p class=\"wp-block-paragraph\">D\u2019autres agissent de mani\u00e8re plus discr\u00e8te.<\/p>\n\n<p class=\"wp-block-paragraph\">Cette petite sculpture de la p\u00e9riode Edo appartient \u00e0 cette seconde cat\u00e9gorie.<\/p>\n\n<p class=\"wp-block-paragraph\">Le sujet est simple : <strong>un singe assis avec un grand kaki<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Mais plus on l\u2019observe, plus la relation entre les deux formes devient int\u00e9ressante.<\/p>\n\n<p class=\"wp-block-paragraph\">Le fruit n\u2019est pas simplement pos\u00e9 \u00e0 c\u00f4t\u00e9 de l\u2019animal. Il occupe une grande partie du centre de la composition, tandis que les bras, les mains et le corps du singe s\u2019organisent autour de lui.<\/p>\n\n<p class=\"wp-block-paragraph\">Le r\u00e9sultat est une petite sculpture particuli\u00e8rement compacte.<\/p>\n\n<h2 class=\"wp-block-heading\">Une composition construite autour du kaki<\/h2>\n\n<p class=\"wp-block-paragraph\">Le kaki est presque aussi important dans la composition que le singe lui-m\u00eame.<\/p>\n\n<p class=\"wp-block-paragraph\">Sa large surface arrondie occupe le centre de la sculpture et donne au netsuke une grande partie de son volume.<\/p>\n\n<p class=\"wp-block-paragraph\">Le singe est organis\u00e9 autour du fruit plut\u00f4t que simplement plac\u00e9 \u00e0 c\u00f4t\u00e9.<\/p>\n\n<p class=\"wp-block-paragraph\">Un bras traverse la partie sup\u00e9rieure du fruit, tandis que l\u2019autre l\u2019enveloppe sur le c\u00f4t\u00e9. Les jambes restent repli\u00e9es pr\u00e8s du corps, ce qui permet \u00e0 l\u2019ensemble de conserver une silhouette arrondie.<\/p>\n\n<p class=\"wp-block-paragraph\">Cette construction compacte est particuli\u00e8rement importante dans un netsuke.<\/p>\n\n<p class=\"wp-block-paragraph\">Avec seulement <strong>4 \u00d7 3,3 \u00d7 3,3 cm<\/strong>, il reste tr\u00e8s peu de place pour des \u00e9l\u00e9ments qui s\u2019\u00e9tendraient inutilement.<\/p>\n\n<p class=\"wp-block-paragraph\">Tout doit s\u2019int\u00e9grer.<\/p>\n\n<h2 class=\"wp-block-heading\">Le singe<\/h2>\n\n<p class=\"wp-block-paragraph\">Le singe est repr\u00e9sent\u00e9 assis et pench\u00e9 vers le fruit.<\/p>\n\n<p class=\"wp-block-paragraph\">Ce qui me pla\u00eet particuli\u00e8rement, c\u2019est que son corps reste facile \u00e0 lire malgr\u00e9 la petite \u00e9chelle.<\/p>\n\n<p class=\"wp-block-paragraph\">La t\u00eate se d\u00e9tache clairement dans la partie sup\u00e9rieure de la composition.<\/p>\n\n<p class=\"wp-block-paragraph\">Les \u00e9paules et les bras se dirigent vers le kaki.<\/p>\n\n<p class=\"wp-block-paragraph\">Les jambes se replient vers l\u2019int\u00e9rieur.<\/p>\n\n<p class=\"wp-block-paragraph\">Et les mains reposent naturellement contre le fruit.<\/p>\n\n<p class=\"wp-block-paragraph\">Il existe un contraste net entre le corps de l\u2019animal et la forme centrale, plus lisse, du kaki.<\/p>\n\n<p class=\"wp-block-paragraph\">Les d\u00e9tails sculpt\u00e9s du pelage permettent de distinguer visuellement le singe du fruit sans rompre la forme compacte du netsuke.<\/p>\n\n<h2 class=\"wp-block-heading\">Le visage<\/h2>\n\n<p class=\"wp-block-paragraph\">Le visage est l\u2019une des parties les plus imm\u00e9diatement lisibles de la sculpture.<\/p>\n\n<p class=\"wp-block-paragraph\">Les yeux, le nez et la bouche sont clairement d\u00e9finis dans une t\u00eate relativement petite et arrondie.<\/p>\n\n<p class=\"wp-block-paragraph\">L\u2019expression est retenue plut\u00f4t qu\u2019exag\u00e9r\u00e9e.<\/p>\n\n<p class=\"wp-block-paragraph\">Cette simplicit\u00e9 fonctionne bien ici, car la composition ne repose pas sur une expression faciale spectaculaire.<\/p>\n\n<p class=\"wp-block-paragraph\">L\u2019int\u00e9r\u00eat vient plut\u00f4t de la posture de l\u2019animal et de la mani\u00e8re dont il interagit physiquement avec le fruit.<\/p>\n\n<h2 class=\"wp-block-heading\">Le kaki<\/h2>\n\n<p class=\"wp-block-paragraph\">Le <strong>kaki<\/strong> est volontairement repr\u00e9sent\u00e9 \u00e0 une \u00e9chelle importante par rapport au singe.<\/p>\n\n<p class=\"wp-block-paragraph\">Sa forme arrondie cr\u00e9e un centre visuel tr\u00e8s fort.<\/p>\n\n<p class=\"wp-block-paragraph\">Compar\u00e9e \u00e0 la surface plus travaill\u00e9e de l\u2019animal, celle du fruit est plus lisse et continue.<\/p>\n\n<p class=\"wp-block-paragraph\">Ce contraste rend la composition plus facile \u00e0 lire.<\/p>\n\n<p class=\"wp-block-paragraph\">Nous voyons le singe.<\/p>\n\n<p class=\"wp-block-paragraph\">Nous voyons le fruit.<\/p>\n\n<p class=\"wp-block-paragraph\">Puis nous commen\u00e7ons \u00e0 remarquer la mani\u00e8re dont les deux ont \u00e9t\u00e9 ajust\u00e9s l\u2019un \u00e0 l\u2019autre.<\/p>\n\n<p class=\"wp-block-paragraph\">Les mains, les bras et le torse du singe s\u2019int\u00e8grent visuellement \u00e0 la forme du kaki.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est ce qui donne \u00e0 la sculpture sa compacit\u00e9.<\/p>\n\n<h2 class=\"wp-block-heading\">L\u2019importance du bois<\/h2>\n\n<p class=\"wp-block-paragraph\">Ce netsuke est sculpt\u00e9 en <strong>bois<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">L\u2019essence pr\u00e9cise du bois n\u2019est pas enregistr\u00e9e ; je n\u2019essaierais donc pas de l\u2019identifier uniquement \u00e0 partir de son apparence.<\/p>\n\n<p class=\"wp-block-paragraph\">Ce que l\u2019on distingue clairement, en revanche, c\u2019est sa chaude couleur brune et les variations de ton \u00e0 la surface.<\/p>\n\n<p class=\"wp-block-paragraph\">Les zones en creux sont plus sombres.<\/p>\n\n<p class=\"wp-block-paragraph\">Les surfaces en relief captent davantage la lumi\u00e8re.<\/p>\n\n<p class=\"wp-block-paragraph\">Cette diff\u00e9rence aide \u00e0 d\u00e9finir la sculpture.<\/p>\n\n<p class=\"wp-block-paragraph\">Elle est particuli\u00e8rement visible autour du pelage, des mains, du visage et des petits replis entre le singe et le fruit.<\/p>\n\n<h2 class=\"wp-block-heading\">Patine et surface<\/h2>\n\n<p class=\"wp-block-paragraph\">La <strong>patine<\/strong> existante joue un r\u00f4le important dans l\u2019apparence actuelle du netsuke.<\/p>\n\n<p class=\"wp-block-paragraph\">Sur une petite sculpture en bois comme celle-ci, la couleur de surface peut compl\u00e8tement modifier la perception des d\u00e9tails.<\/p>\n\n<p class=\"wp-block-paragraph\">Les tons plus fonc\u00e9s des zones en creux augmentent la profondeur visuelle de la sculpture, tandis que les surfaces expos\u00e9es et plus lisses conservent des reflets plus chauds.<\/p>\n\n<p class=\"wp-block-paragraph\">Cela donne au netsuke une apparence plus douce et plus naturelle qu\u2019une surface de couleur uniforme.<\/p>\n\n<p class=\"wp-block-paragraph\">Cela rend \u00e9galement l\u2019objet particuli\u00e8rement int\u00e9ressant \u00e0 observer sous des \u00e9clairages diff\u00e9rents.<\/p>\n\n<h2 class=\"wp-block-heading\">Himotoshi naturel<\/h2>\n\n<p class=\"wp-block-paragraph\">Un d\u00e9tail m\u00e9rite d\u2019\u00eatre expliqu\u00e9 : le <strong>himotoshi naturel<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Dans un netsuke, les <em>himotoshi<\/em> sont les ouvertures par lesquelles passait le cordon.<\/p>\n\n<p class=\"wp-block-paragraph\">Sur certaines pi\u00e8ces, il s\u2019agit clairement de trous perc\u00e9s.<\/p>\n\n<p class=\"wp-block-paragraph\">Sur d\u2019autres, comme cet exemple, le passage du cordon est cr\u00e9\u00e9 \u00e0 partir d\u2019ouvertures d\u00e9j\u00e0 pr\u00e9sentes dans la forme sculpturale.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est ce que l\u2019on entend ici par <strong>himotoshi naturel<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Au lieu d\u2019interrompre la composition par des trous ind\u00e9pendants, le passage du cordon est int\u00e9gr\u00e9 \u00e0 la structure m\u00eame de la sculpture.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est un petit d\u00e9tail technique, mais un d\u00e9tail important pour comprendre qu\u2019un netsuke \u00e9tait con\u00e7u comme un objet fonctionnel et non uniquement comme une sculpture miniature.<\/p>\n\n<p class=\"wp-block-paragraph\">Pour une introduction plus g\u00e9n\u00e9rale, notre guide <a href=\"https:\/\/supeinnihonto.com\/fr\/histoire\/quest-ce-quun-netsuke\/\"><strong>Qu\u2019est-ce qu\u2019un Netsuke ?<\/strong><\/a> explique leur fonction d\u2019origine et l\u2019importance d\u2019\u00e9l\u00e9ments tels que les himotoshi.<\/p>\n\n<h2 class=\"wp-block-heading\">Une sculpture faite pour \u00eatre tourn\u00e9e<\/h2>\n\n<p class=\"wp-block-paragraph\">Cette pi\u00e8ce prend \u00e9galement davantage de sens lorsqu\u2019on l\u2019imagine tenue dans la main.<\/p>\n\n<p class=\"wp-block-paragraph\">De face, le singe et le kaki forment un groupe tr\u00e8s clair.<\/p>\n\n<p class=\"wp-block-paragraph\">Mais un netsuke est un objet tridimensionnel.<\/p>\n\n<p class=\"wp-block-paragraph\">En le tournant, on d\u00e9couvre la courbure du fruit, la mani\u00e8re dont les membres enveloppent la composition et les ouvertures qui forment le himotoshi naturel.<\/p>\n\n<p class=\"wp-block-paragraph\">Cette relation changeante entre les formes fait partie de ce qui rend les <a href=\"https:\/\/supeinnihonto.com\/fr\/categorie-produit\/netsuke\/\"><strong>netsuke japonais<\/strong><\/a> si int\u00e9ressants \u00e0 \u00e9tudier.<\/p>\n\n<p class=\"wp-block-paragraph\">Ce sont de petits objets, mais ils sont rarement con\u00e7us pour \u00eatre compris depuis un seul point de vue.<\/p>\n\n<h2 class=\"wp-block-heading\">P\u00e9riode Edo<\/h2>\n\n<p class=\"wp-block-paragraph\">La pi\u00e8ce est dat\u00e9e de la <strong>p\u00e9riode Edo<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Au-del\u00e0 de cela, aucune datation plus pr\u00e9cise, attribution \u00e0 un sculpteur ou \u00e9cole n\u2019est enregistr\u00e9e avec l\u2019objet.<\/p>\n\n<p class=\"wp-block-paragraph\">Et dans ce cas, je pense que cela suffit.<\/p>\n\n<p class=\"wp-block-paragraph\">La sculpture nous donne d\u00e9j\u00e0 beaucoup de choses \u00e0 observer :<\/p>\n\n<p class=\"wp-block-paragraph\">un singe assis,<\/p>\n\n<p class=\"wp-block-paragraph\">un grand kaki,<\/p>\n\n<p class=\"wp-block-paragraph\">une structure sculpturale compacte,<\/p>\n\n<p class=\"wp-block-paragraph\">des tons de bois chaleureux,<\/p>\n\n<p class=\"wp-block-paragraph\">une patine visible,<\/p>\n\n<p class=\"wp-block-paragraph\">et un himotoshi naturel int\u00e9gr\u00e9 \u00e0 la forme.<\/p>\n\n<h2 class=\"wp-block-heading\">Pourquoi ce netsuke fonctionne si bien<\/h2>\n\n<p class=\"wp-block-paragraph\">Ce que j\u2019aime le plus dans cette pi\u00e8ce, c\u2019est son \u00e9conomie de moyens.<\/p>\n\n<p class=\"wp-block-paragraph\">Il n\u2019y a que deux \u00e9l\u00e9ments principaux.<\/p>\n\n<p class=\"wp-block-paragraph\">Le singe et le fruit.<\/p>\n\n<p class=\"wp-block-paragraph\">Rien ne semble inutile.<\/p>\n\n<p class=\"wp-block-paragraph\">Le kaki donne son volume \u00e0 la composition.<\/p>\n\n<p class=\"wp-block-paragraph\">Le singe l\u2019enveloppe.<\/p>\n\n<p class=\"wp-block-paragraph\">Les bras relient les deux formes.<\/p>\n\n<p class=\"wp-block-paragraph\">Les jambes repli\u00e9es maintiennent la silhouette compacte.<\/p>\n\n<p class=\"wp-block-paragraph\">Et le himotoshi naturel reste int\u00e9gr\u00e9 \u00e0 la sculpture.<\/p>\n\n<p class=\"wp-block-paragraph\">Avec <strong>4 \u00d7 3,3 \u00d7 3,3 cm<\/strong>, l\u2019objet est suffisamment petit pour tenir confortablement dans la main, mais la composition semble n\u00e9anmoins compl\u00e8te.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est un bon exemple de la mani\u00e8re dont un netsuke peut partir d\u2019un sujet tr\u00e8s simple et en faire un objet qui r\u00e9compense une observation attentive.<\/p>\n\n<p class=\"wp-block-paragraph\">Plus on regarde, plus on per\u00e7oit clairement avec quel soin les deux formes ont \u00e9t\u00e9 con\u00e7ues pour fonctionner ensemble.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Regard d\u00e9taill\u00e9 sur un netsuke en bois de la p\u00e9riode Edo repr\u00e9sentant un singe assis avec un grand kaki, une patine chaude et un himotoshi naturel.<\/p>\n","protected":false},"author":1,"featured_media":1015756,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[229],"tags":[],"class_list":["post-1015755","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-netsuke"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Singe avec kaki : un netsuke en bois de la p\u00e9riode Edo - Supein Nihonto<\/title>\n<meta name=\"description\" content=\"Regard d\u00e9taill\u00e9 sur un netsuke en bois de la p\u00e9riode Edo repr\u00e9sentant un singe assis avec un grand kaki, une patine chaude et un himotoshi naturel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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