{"id":1014928,"date":"2026-11-05T14:17:18","date_gmt":"2026-11-05T14:17:18","guid":{"rendered":"https:\/\/supeinnihonto.com\/un-instant-de-surprise-regarder-de-pres-un-netsuke-de-hannya-et-samourai\/"},"modified":"2026-11-06T14:26:54","modified_gmt":"2026-11-06T14:26:54","slug":"un-instant-de-surprise-regarder-de-pres-un-netsuke-de-hannya-et-samourai","status":"publish","type":"post","link":"https:\/\/supeinnihonto.com\/fr\/un-instant-de-surprise-regarder-de-pres-un-netsuke-de-hannya-et-samourai\/","title":{"rendered":"Un instant de surprise : regarder de pr\u00e8s un netsuke de Hannya et samoura\u00ef"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Certains <strong><a href=\"https:\/\/supeinnihonto.com\/fr\/categorie-produit\/netsuke\/\" data-type=\"product_cat\" data-id=\"338\">netsuke<\/a><\/strong> se comprennent presque imm\u00e9diatement.<\/p>\n\n<p class=\"wp-block-paragraph\">Un animal au repos. Une seule figure. Un objet familier r\u00e9duit \u00e0 quelques centim\u00e8tres.<\/p>\n\n<p class=\"wp-block-paragraph\">Celui-ci demande un peu plus de temps.<\/p>\n\n<p class=\"wp-block-paragraph\">Au premier regard, nous voyons deux figures sculpt\u00e9es tr\u00e8s pr\u00e8s l\u2019une de l\u2019autre. Dans la partie inf\u00e9rieure de la composition se trouve un samoura\u00ef. Au-dessus et derri\u00e8re lui appara\u00eet Hannya, pench\u00e9e sur la sc\u00e8ne et donnant imm\u00e9diatement le sentiment que quelque chose est en train de se produire.<\/p>\n\n<p class=\"wp-block-paragraph\">La description accompagnant la pi\u00e8ce identifie le moment comme <strong>Hannya surprenant le samoura\u00ef par derri\u00e8re alors qu\u2019il d\u00e9barque<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Ce petit d\u00e9tail narratif change la mani\u00e8re dont on lit la sculpture.<\/p>\n\n<p class=\"wp-block-paragraph\">Il ne s\u2019agit pas simplement de deux figures plac\u00e9es c\u00f4te \u00e0 c\u00f4te. C\u2019est une sc\u00e8ne.<\/p>\n\n<h2 class=\"wp-block-heading\">Deux figures en seulement quelques centim\u00e8tres<\/h2>\n\n<p class=\"wp-block-paragraph\">Le <strong><a href=\"https:\/\/supeinnihonto.com\/fr\/categorie-produit\/netsuke\/\" data-type=\"product_cat\" data-id=\"338\">netsuke<\/a><\/strong> ne mesure que <strong>4,3 \u00d7 3,5 \u00d7 3 cm<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est tr\u00e8s peu d\u2019espace pour placer deux personnages distincts, leurs v\u00eatements, leurs gestes et la relation qui les unit.<\/p>\n\n<p class=\"wp-block-paragraph\">La solution consiste \u00e0 construire la sculpture verticalement.<\/p>\n\n<p class=\"wp-block-paragraph\">Le samoura\u00ef occupe la partie inf\u00e9rieure du netsuke, tandis que Hannya s\u2019\u00e9l\u00e8ve derri\u00e8re lui. Leurs corps se superposent visuellement, ce qui permet \u00e0 la sculpture de rester compacte au lieu de s\u2019\u00e9tendre vers l\u2019ext\u00e9rieur.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est l\u2019un des aspects les plus int\u00e9ressants de la pi\u00e8ce.<\/p>\n\n<p class=\"wp-block-paragraph\">Vue \u00e0 une certaine distance, les deux figures forment presque une seule silhouette. Ce n\u2019est qu\u2019en regardant plus attentivement que les personnages commencent \u00e0 se distinguer l\u2019un de l\u2019autre.<\/p>\n\n<p class=\"wp-block-paragraph\">La sc\u00e8ne devient progressivement plus facile \u00e0 lire.<\/p>\n\n<h2 class=\"wp-block-heading\">Le samoura\u00ef au premier plan<\/h2>\n\n<p class=\"wp-block-paragraph\">Le samoura\u00ef est la premi\u00e8re figure que l\u2019on rencontre.<\/p>\n\n<p class=\"wp-block-paragraph\">Il est plac\u00e9 dans la partie inf\u00e9rieure de la composition, le corps tourn\u00e9 \u00e0 travers la base de la sculpture.<\/p>\n\n<p class=\"wp-block-paragraph\">Les plis et les d\u00e9tails de ses v\u00eatements permettent de distinguer sa silhouette de celle qui se trouve derri\u00e8re lui, tandis que sa position donne \u00e0 la sc\u00e8ne une base visuelle claire.<\/p>\n\n<p class=\"wp-block-paragraph\">La sculpture \u00e9tant si petite, il reste tr\u00e8s peu d\u2019espace vide entre les deux personnages.<\/p>\n\n<p class=\"wp-block-paragraph\">Le samoura\u00ef n\u2019est donc pas simplement plac\u00e9 devant Hannya. Il fait partie de la m\u00eame masse sculpturale compacte.<\/p>\n\n<p class=\"wp-block-paragraph\">Cette proximit\u00e9 est importante pour la sc\u00e8ne.<\/p>\n\n<p class=\"wp-block-paragraph\">Elle rend la rencontre imm\u00e9diate.<\/p>\n\n<h2 class=\"wp-block-heading\">Hannya apparaissant par derri\u00e8re<\/h2>\n\n<p class=\"wp-block-paragraph\">Au-dessus de lui se trouve Hannya.<\/p>\n\n<p class=\"wp-block-paragraph\">La figure se penche sur le samoura\u00ef par derri\u00e8re et occupe la partie sup\u00e9rieure de la sculpture.<\/p>\n\n<p class=\"wp-block-paragraph\">Visuellement, c\u2019est ce qui donne une grande partie de sa tension \u00e0 la composition.<\/p>\n\n<p class=\"wp-block-paragraph\">Le regard reconna\u00eet d\u2019abord la figure inf\u00e9rieure, puis se d\u00e9place naturellement vers le haut, vers le second visage et le second corps.<\/p>\n\n<p class=\"wp-block-paragraph\">La position des deux figures est nettement diff\u00e9rente, mais elles restent physiquement reli\u00e9es au sein d\u2019une m\u00eame petite forme.<\/p>\n\n<p class=\"wp-block-paragraph\">Le r\u00e9sultat est une sc\u00e8ne \u00e9tonnamment complexe pour un objet de quelques centim\u00e8tres seulement.<\/p>\n\n<h2 class=\"wp-block-heading\">Un netsuke qui se d\u00e9couvre sous plusieurs angles<\/h2>\n\n<p class=\"wp-block-paragraph\">L\u2019un des plaisirs des netsuke figuratifs est qu\u2019ils ne sont pas vraiment con\u00e7us pour \u00eatre compris depuis un seul point de vue.<\/p>\n\n<p class=\"wp-block-paragraph\">Une photographie nous donne une interpr\u00e9tation de la sculpture.<\/p>\n\n<p class=\"wp-block-paragraph\">Tourner l\u2019objet r\u00e9v\u00e9lerait la mani\u00e8re dont les deux figures se rejoignent, o\u00f9 se termine un corps et o\u00f9 commence l\u2019autre, comment la base a \u00e9t\u00e9 finie et comment toute la composition a \u00e9t\u00e9 comprim\u00e9e dans un volume aussi r\u00e9duit.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est particuli\u00e8rement pertinent ici, car la <strong>base est d\u00e9cor\u00e9e<\/strong> et la pi\u00e8ce est \u00e9galement <strong>sign\u00e9e<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Ces d\u00e9tails font de la face inf\u00e9rieure une partie int\u00e9grante de l\u2019objet, et non un simple support.<\/p>\n\n<p class=\"wp-block-paragraph\">Pour les collectionneurs qui aiment observer de pr\u00e8s ces petites sculptures, c\u2019est l\u2019une des qualit\u00e9s qui rendent les <a href=\"https:\/\/supeinnihonto.com\/fr\/categorie-produit\/netsuke\/\">netsuke japonais<\/a> particuli\u00e8rement int\u00e9ressants.<\/p>\n\n<h2 class=\"wp-block-heading\">Sculpt\u00e9 en ivoire<\/h2>\n\n<p class=\"wp-block-paragraph\">La pi\u00e8ce est sculpt\u00e9e en <strong>ivoire<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Dans cette composition, le m\u00eame mat\u00e9riau sert \u00e0 d\u00e9finir les deux personnages et leurs v\u00eatements. Leur s\u00e9paration d\u00e9pend donc surtout de la sculpture, du relief et de l\u2019agencement des formes plut\u00f4t que du contraste entre diff\u00e9rents mat\u00e9riaux.<\/p>\n\n<p class=\"wp-block-paragraph\">Cela rend la construction de la sc\u00e8ne particuli\u00e8rement importante.<\/p>\n\n<p class=\"wp-block-paragraph\">Les visages, les v\u00eatements et les corps qui se chevauchent doivent tous rester lisibles au sein d\u2019une seule surface continue.<\/p>\n\n<p class=\"wp-block-paragraph\">M\u00eame sur la photographie, on peut voir comment l\u2019organisation verticale aide \u00e0 \u00e9viter que la composition ne devienne confuse.<\/p>\n\n<p class=\"wp-block-paragraph\">Les figures sont proches l\u2019une de l\u2019autre, mais leurs positions restent compr\u00e9hensibles.<\/p>\n\n<h2 class=\"wp-block-heading\">Un netsuke Meiji de la fin du XIXe si\u00e8cle<\/h2>\n\n<p class=\"wp-block-paragraph\">La pi\u00e8ce est dat\u00e9e de la <strong>p\u00e9riode Meiji, \u00e0 la fin du XIXe si\u00e8cle<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Plut\u00f4t que de chercher \u00e0 construire une attribution plus large \u00e0 partir de cette date, je pense qu\u2019il est plus utile de rester fid\u00e8le \u00e0 ce que l\u2019objet lui-m\u00eame nous donne.<\/p>\n\n<p class=\"wp-block-paragraph\">Nous avons une petite sculpture en ivoire sign\u00e9e, deux figures, un moment narratif clairement d\u00e9fini et une base d\u00e9cor\u00e9e.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est d\u00e9j\u00e0 beaucoup d\u2019informations contenues dans un objet qui mesure \u00e0 peine plus de quatre centim\u00e8tres.<\/p>\n\n<h2 class=\"wp-block-heading\">La signature et la base d\u00e9cor\u00e9e<\/h2>\n\n<p class=\"wp-block-paragraph\">Le netsuke est <strong>sign\u00e9<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Sans documentation suppl\u00e9mentaire permettant d\u2019identifier le sculpteur, il ne serait pas appropri\u00e9 de transformer ce fait en attribution certaine.<\/p>\n\n<p class=\"wp-block-paragraph\">La pr\u00e9sence de la signature reste n\u00e9anmoins une caract\u00e9ristique importante enregistr\u00e9e pour cette pi\u00e8ce.<\/p>\n\n<p class=\"wp-block-paragraph\">Il en va de m\u00eame pour la d\u00e9coration de la base.<\/p>\n\n<p class=\"wp-block-paragraph\">Avec les netsuke, la face inf\u00e9rieure peut \u00eatre aussi int\u00e9ressante que l\u2019avant, car elle r\u00e9v\u00e8le souvent des d\u00e9tails qui disparaissent lorsque l\u2019objet est regard\u00e9 uniquement comme une petite sculpture pos\u00e9e verticalement.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est une pi\u00e8ce qui gagne vraiment \u00e0 \u00eatre examin\u00e9e sous tous les angles.<\/p>\n\n<h2 class=\"wp-block-heading\">Documentation<\/h2>\n\n<p class=\"wp-block-paragraph\">Le netsuke est accompagn\u00e9 d\u2019un <strong>certificat d\u2019expertise<\/strong> et d\u2019une <strong>documentation CITES<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Cette documentation est particuli\u00e8rement importante pour les objets r\u00e9alis\u00e9s en ivoire.<\/p>\n\n<p class=\"wp-block-paragraph\">Elle doit toutefois \u00eatre distingu\u00e9e des exigences l\u00e9gales pouvant s\u2019appliquer lorsqu\u2019un objet franchit une fronti\u00e8re. Les r\u00e8gles d\u2019importation, d\u2019exportation, de possession et de transport peuvent varier selon le pays de destination ; ces exigences doivent donc \u00eatre v\u00e9rifi\u00e9es s\u00e9par\u00e9ment.<\/p>\n\n<h2 class=\"wp-block-heading\">Pourquoi cette pi\u00e8ce retient l\u2019attention<\/h2>\n\n<p class=\"wp-block-paragraph\">Ce que je trouve int\u00e9ressant dans ce netsuke n\u2019est pas simplement la pr\u00e9sence de Hannya ou du samoura\u00ef.<\/p>\n\n<p class=\"wp-block-paragraph\">C\u2019est la mani\u00e8re dont les deux ont \u00e9t\u00e9 imbriqu\u00e9s.<\/p>\n\n<p class=\"wp-block-paragraph\">Toute la sc\u00e8ne repose sur la proximit\u00e9.<\/p>\n\n<p class=\"wp-block-paragraph\">Le samoura\u00ef est en bas.<\/p>\n\n<p class=\"wp-block-paragraph\">Hannya appara\u00eet imm\u00e9diatement derri\u00e8re lui.<\/p>\n\n<p class=\"wp-block-paragraph\">Les figures se chevauchent.<\/p>\n\n<p class=\"wp-block-paragraph\">La composition s\u2019\u00e9l\u00e8ve verticalement.<\/p>\n\n<p class=\"wp-block-paragraph\">Et tout cela a \u00e9t\u00e9 comprim\u00e9 dans <strong>4,3 \u00d7 3,5 \u00d7 3 cm<\/strong>.<\/p>\n\n<p class=\"wp-block-paragraph\">Vue de face, la pi\u00e8ce ressemble d\u2019abord \u00e0 un groupe dense de formes sculpt\u00e9es.<\/p>\n\n<p class=\"wp-block-paragraph\">Puis la sc\u00e8ne commence \u00e0 s\u2019ouvrir.<\/p>\n\n<p class=\"wp-block-paragraph\">Un visage appara\u00eet.<\/p>\n\n<p class=\"wp-block-paragraph\">Puis une autre figure.<\/p>\n\n<p class=\"wp-block-paragraph\">Puis la relation entre les deux.<\/p>\n\n<p class=\"wp-block-paragraph\">Cette d\u00e9couverte progressive fait partie de ce qui rend les petits netsuke figuratifs si agr\u00e9ables \u00e0 examiner.<\/p>\n\n<p class=\"wp-block-paragraph\">Pour les lecteurs souhaitant une introduction plus g\u00e9n\u00e9rale \u00e0 ces objets, notre guide <a href=\"https:\/\/supeinnihonto.com\/fr\/histoire\/quest-ce-quun-netsuke\/\"><strong>Qu\u2019est-ce qu\u2019un Netsuke ?<\/strong><\/a> explique leur fonction historique et leur \u00e9volution dans la culture mat\u00e9rielle japonaise.<\/p>\n\n<p class=\"wp-block-paragraph\">Cet exemple particulier fait quelque chose d\u2019assez simple mais efficace : il prend un moment impliquant deux personnages et le condense dans un objet suffisamment petit pour tenir dans la paume de la main.<\/p>\n\n<p class=\"wp-block-paragraph\">Et plus on regarde de pr\u00e8s, plus la sc\u00e8ne devient claire.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un regard attentif sur un netsuke en ivoire de la fin du XIXe si\u00e8cle, p\u00e9riode Meiji, repr\u00e9sentant Hannya surprenant un samoura\u00ef, avec base sign\u00e9e, certificat d\u2019expertise et documentation CITES.<\/p>\n","protected":false},"author":1,"featured_media":1014929,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[947,229],"tags":[],"class_list":["post-1014928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-histoire","category-netsuke"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un instant de surprise : regarder de pr\u00e8s un netsuke de Hannya et samoura\u00ef - Supein Nihonto<\/title>\n<meta name=\"description\" content=\"Un regard attentif sur un netsuke en ivoire de la fin du XIXe si\u00e8cle, p\u00e9riode Meiji, repr\u00e9sentant Hannya surprenant un samoura\u00ef, avec base sign\u00e9e, certificat d\u2019expertise et documentation CITES.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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